Poul Borum , DR (1982)

Only one TV channel was available – so getting ready for watching the ice hockey match – the Danish TV-viewers inadvertently found themselves in the company of Poul Borum – a far from average poet and rock music reviewer discussing the merits of Ivor Axeglovitch – present and playing live (featuring Steen Bundgaard on bass) lined up in a sofa in the studio

Arty Farty Chocolate Party Riddersalen (1981)

A grove of old tall trees, in the shade a slowly revolving table, cakes in colors everywhere, hot cocoa, cream whipped across the summer sky, the backdrop for Ivor A’s first concert experience. Intertwined songs and sonic intermezzos served with imagery and hot chocolate. After baking the flaky tape and applying digital sorcery the first 48 min of the event can now be reexperienced

arty-farty charlottenlund fort. hit and run (1981)

An improbability: A fortification, a rusty canon tower, an empty parking lot – an AC outlet for an autocamper – a Jaguar with trunk and backseat full of insts and amps – 22 minutes of improbable music and the Jaguar drove off – did this happen – only the improbable audience knows for sure

Montarsi la testa (1982)

Ivor Axeglovitch’s ambitious debut album filled an unknown vacuum in Danish music with strange sounds, songs with unlikely lyrics wrapped in enigmatic esthetics – rhythmical – yes – but then the sound of the lid from a typewriter falling downstairs is also a rhythm